- Software For Mac Computers
- Sony Dcr-pc105 Software For Mac Pro
- Sony Dcr-pc105 Software For Mac Windows 7
- Sony Dcr-pc105
- Sony Dcr Pc105
Find support information for DCR-PC105. Don’t miss what’s new. Be among the first to get the latest Sony news in your inbox. Sony Image Management Software PlayMemories Home Support Website. This page explains the PlayMemories Home installation for a Mac computer.
CineAlta Camera Series
- AXS-CR1/R5/R7
- VENICE/CineAltaV
- F65RS
- PMW-F5/F55
SRMASTER Series
- SR-D1/PC4/PC-5/R4
XDCAM Series
- PXW-FS5
- PXW-FS7
- PXW-FS7M2
NXCAM Series
- NEX-FS700 (Ver. 3)
- NEX-FS700R
- HXR-IFR5
Viewing Clips
- Display and playback clips
- View and edit a metadata
- Flip images
- De-Anamorphic (1.3x, 2.0x) images shot by Anamorphic lenses
- Fast playback with small resolution for RAW/X-OCN
- Zooming and pixel by pixel displaying.
- Waveform, Histogram, and Vector Scope function
- Aspect marker and area marker display
- Navigator display
- Display Timecode and Duration
- Input In and Out points
- Poster Frame setting
- Selectable GPU/CPU setting and supporting Multi GPU decoding
Generate Video and Audio formats
- Generate several video and audio formats (DPX, Open EXR, SStP, ProRes* and BWF (Audio)) *Mac only
- Trim original RAW files
- Save and Load parameter template
- Selectable creating sub folder
- Email notification about the status of tasks
- Selectable processing algorithm, Quality priority or Speed priority
- Scaling for generated files (De-squeeze x1.3/x2, Entire image fit or Aspect marker crop fit)
- Aspect marker burn-in
- Selectable bit depth (DPX:10 or 16bit, Open EXR: 16 or 32 bit, SStP: 10 or 12 bit, ProRes: 10 or 12 bit)
- Flip images vertically or horizontally
- Selecting audio channel
- Importing EDL and processing
Look control
- Setting workspace
- Save and Load parameter template
- Export 3DLUT, ASC-CDL for other tools and Camera LUT for F65/PMW-F55/PMW-F5
- Control Exposure
- Control Linear Gain (Printer light control)
- Control color temperature (2000-15000)
- Control color balance (Tint) (-100.0-+100.0)
- Selectable color space and Tone curve
- Control Tone curve
- Support and control ASC-CDL by color circles and parameters
- Selectable Monitor LUT
- Preset ACES Output Transform
- Import User 3DLUT and 1DULT
- Control HDLink series from Black Magic Design
SDI output by UltraStudio series
RAW Viewer supports Monitor Out Device “UltraStudio” series which are released from Black Magic Design. This function allow you to output HD, 2K, QFHD, and 4K signals to monitors and control each materials correctively.
It allows you to create and edit videos easily. Motion 5.4.3 Crack Mac is the ultimate solution for video editors. It is the most user-friendly application mac. Motion Crack is designed for video editors, Motion 5 lets you customize Final Cut Pro titles, transitions, and effects. 
Software For Mac Computers
Look control by Tracker balls panel
Connected Element panels or wave panel which is released from Tangent to computer via USB allow you to control color circles and other parameters intuitively on RAW Viewer.
Other functions
- Task queue
The Task Queue displays a list of tasks registered. In addition, users can control tasks such as PAUSE, ABORT and REARRANGING the order of tasks.
- Salvage function
RAW Viewer has salvage function for RAW files which are shot by AXS-R5/R7 and ASX Memory cards.
- Check MD5 and SRSum
RAW Viewer has Generating MD5 and checking MD5 functions. And it can check SRSum which has generated by SR-PC4 and SRPC-5 for SRMemories.
Microsoft Windows
- OS: Windows 8.1 / Windows 10 Creators Update / Windows 10 Fall Creators Update 64-bit
- HDD: More than 500 MBytes of free space
- CPU: Intel Core i7, Xeon (Nehalem and later)
- Memory: 6GB or more
- GPU: AMD Radeon HD 7000 series later
NVIDIA GeForce 500 series later
Mac OS X
- OS: OS X El Capitan(10.11) / macOS Sierra(10.12) / High Sierra(10.13) 64-bit
- HDD: More than 500 MBytes of free space
- CPU: Intel Core i7, Xeon (Nehalem and later)
- Memory: 6GB or more
- GPU: AMD Radeon HD 5000 series later
NVIDIA GeForce GT750M series later
Feedback
Sony Dcr-pc105 Software For Mac Pro
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Sony DCR-PC105
Sony Dcr-pc105 Software For Mac Windows 7
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Despite excellent construction and feel, neither Sony camera stood out in our testing. The Sony DCR-TRV22 ($700 direct) had below-average video quality. And we were unable to perform comparative studio testing on the Sony DCR-PC105 ($1,000), because we received multiple defective units. While informal testing shows that the latter camera has great promise, we can't wholeheartedly recommend it.
The DCR-PC105 has that ineffable characteristic that makes you want to own it at first sight. Unlike the others we tested, the brushed chrome case screams solid, with a range of lovely features like a pop-up light for still shots and a manual focus ring around the lens. Very similar in looks to the Canon Elura 50, the DCR-PC105 operates in much the same way: You hold it upright and peer through the extendable viewfinder on top or preview videos on the crisp 2.5-inch LCD panel on the left. The zoom control is located comfortably near the front, and though the switch is tiny, with practice you can access multiple zoom magnifications fairly easily.
You configure both cameras via remarkably smudge-resistant touch-screen LCDs. This works well for manual focus (you can touch the screen at the desired focal point) as well as manual exposure control (you can touch an area of the picture for optimum exposure). Playback icons obscure the bottom portion of the video while you're viewing movies, which can get irritating. When playing back on a television, we missed the no-look operation that physical buttons provide. One bonus with either model is that you can reverse the LCD panel and fold it conveniently into the camera, though both cameras are bottom-tape loaders—not good for tripod use.
Both cameras use Sony's infrared night-shot system, which produces easily viewable but greenish videos. Keep your index finger off the infrared transmitter, though; covering it ruined our first test run with the DCR-PC105. Super NightShot and color modes add light and color but slow the shutter speed significantly, producing severe blurriness with even faint motion.
In talking-head trials, the DCR-TRV22's video was a bit too dark, which obscured some portions of the picture, and there were some random colors around the image. Visual background noise, however, was minimal. On our motion tests, yellow artifacts appeared across black text and even a brown shirt. Images looked as though someone had randomly annotated them with a yellow highlighter. Detail was not as finely preserved as it was with other cameras we tested, especially the Canon Optura 20. The audio signal picked up by the DCR-TRV22 was loudest of the group; the camera recorded very clear voice but also the most noise during quiet periods.
Sony Dcr-pc105
The DCR-TRV22 fared better outside of our studio. It was one of the better performers in low light and proved very adept with facial tones, though outdoor shots were about average. Outdoor videographers, take note: This is one of the few cameras without a mic windscreen.
Sony Dcr Pc105
Unfortunately, we couldn't run studio trials on the DCR-PC105. Our first test unit broke during testing, and the second one had a faulty gain control. Normally this control boosts weak signals, but on the DCR-PC105 it produced overly bright video that was unusable. Our third try was a charm, though too late for studio testing. On informal tests, images were very strong, with exceptionally crisp and noise-free performance in low light, though videos were slightly darker than those taken with the DCR-TRV22. Facial tones and details were very well preserved, with striking images and very clear, totally noise-free backgrounds. Without studio results, however, we can't fairly compare this camera's video quality against that of the others.